
4/20 Time
Since National High Five Day falls on the Third Thursday in April, which this year happens to be 4/20, we have received a good deal of emails alerting us to this coincidence. Most are related to the presence of the word "high" in our holiday's name, but many fail to even reach a level of comprehensibility to achieve that most basic and obvious realization. Well in yet another instance of giving the masses what they want, I think I'm going to attempt to break down the topic of weed music here on the blog. To make it even more interesting, this will also mark the first CONTEST that I've ever had on this blog. For details on the CONTEST you can go ahead and skip down to the end of the entry.
The influence of drugs, and namely marijuana has had on music is incalculable. It is depressing to imagine what music woudl sound like if be like if Coltrane hadn't had his smack, Syd hadn't taken all that 'cid, Bob Marley never toked the sweet sweet ganj and Johnny Cash hadn't taken whatever those nameless painkillers he was out of his gourd on for 70% of Walk The Line. But out of all of them, weed is probably given the most credit regarding promoting creativity and artistic achievement, (maybe credit is legitimately due, but it could just be because it doesn't make you end up penniless on the street, or make you kill yourself in a torrent of angst driven despair.)
So let's break down the influence of weed on the music world:

The Chronic
-Most obviously, we have Weed Rap. Exemplifed by Dr. Dre's The Chronic
and Cypress Hill's Temples of Boom
, this is pure glorification of the drug. Blatantly made for the masses, this rap doesn't pretend to establish any sort of facade regarding its intent to project a thuggish, outlaw image by endorsing a widely consumed partially decriminalized drug. In short, it is awesome. Note: This genre also includes Bob Marley and stuff like Sublime's "Smoke Two Joints because they're really obvious as well. Great Example: Cypress Hill - Hits From The Bong
-Then there is insane electronic music. Designed ostensibly to make people dance, but more often consumed in a dorm room with your MP3 players visualization in full gear, it's the rare track from this genre that is actually tolerable without the influence of drugs. Genre Definer: Josh Wink - Higher State Of Consciousness

The Flaming Lips On-stage Posse
-We also have wierd rock, designed to make noises that freak you out. Utilizing every production trick in the book, especially layering sounds, surround sound pans, vocal effects and in general just freaky shit, Pink Floyd would fit in here, so would latter day Radiohead or Wilco circa YHF. Nowadays, the term "Psychedelic" is used to describe lengthy, aimless, boring songs by bands who can't write anything catchy, but The Flaming Lips, with releases like The Soft Bulletin
, Yoshimi
and the almighty four stereo necessitating Zaireeka
, not to mention the greatest stage show of all time, have claimed sole ownership of the weird rock crown. Best Song To Freak You Out With Headphones: The Flaming Lips - Race For The Prize
-There's Stoner Rock, with bands like Kyuss, but I don't know anybody who actually listens to this genre of music
-Crazy improvisational music is an obvious favorite of the stoners, but its rare that these songs can prove tolerable to people on the outside. If a song has a catchy hook, different movements, and most importantly builds towards an amazing climactic conclusion, it will undoubtedly be touted as "The greatest thing I've ever heard." I think that Santana's performance of "Soul Sacrifice" at Woodstock, especially when seen with the accompanying video, featuring scenes of naked men holding sheep, is a wonderful example of a crazy jam that everyone can agree on.

Ever really heard Automatic For The People?
-But songs need not have crazy builds or be laden down with fancy studio effects to prove enjoyable to the slack jawed couch dweller. Though those types of songs may prove to sync up better with a TV playing the Cartoon Network on mute, there are also songs that weren't written with the average pothead in mind, but that are good enough that they can prove revelatory when heard under the right circumstances. This is stuff like Bruce Springsteen's Nebraska
, or "Automatic For The People
," or "The Bends
," music whose true beauty was hidden behind a thick wall of acousticness, until you heard it again for the first time one night. Crown jewel: Ryan Adams - Cannonball Days

So that brings us to the first ever San Diego Serenade contest! In celebration of 4/20, I'm going to be giving away a copy of "Reefer Madness" on DVD, courtesy of San Diego's own Legend Films! Legend Films has restored Reefer Madness for DVD and has colorized it for the first time ever. If you've never seen it before, it's a ridiculous example of unintentional comedy from the 1930's, and it benefits greatly in the visuals department from the colorization. For example each character has their own color of smoke as they engage in their dreadful illicit activities. To top it off, exclusively on this DVD, Michael Nelson of Mystery Science Theatre 3000 fame has recorded an audio commentary for the film MST3K style, pointing out all the hilarious comments that you'll undoubtedly be rendered far too incoherent to make yourself.
To win a copy of the DVD, as well as a nice "Got Reefer?" shirt, just post a comment detailing your ideal 4/20 song, or your best related experience. I'll pick one at random and send the winner the DVD and the shirt, hopefully in time for Thursday's festivities. The Contest will end at 3 PM California time on Tuesday the 18th.