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June 22, 2006

San Diego Serenade Presents: An Hour with 91X


Stating that I was going to sit down for hour long diary sessions with both the San Diego radio stations was a bold claim indeed. When I realized that I was actually going to have to do the 91X diary, after spending an hour last week with 949, it was sort of like the feeling you get when the phone rings at like 9AM after a night of heaving boozing, and you realize that whoever you were making the bold claims to about going whitewater rafting, or deep sea fishing, or the Padres game, or moving three feet from your bed is actually taking you up on your drunken claims. But I'm not one to back out of the lofty goals I set for myself, and I was going to listen to an hour of 91X, the pain of it all be damned.

I was especially goaded on by some of the comments that were left on the 949 diary, asserting that San Diego actually did have better radio than the rest of the country. Of course, this is preposterous. FM radio blows universally. Radio has, to quote Calvin, "Lowered our expectations to the point where they are already met." As in the medium is so godawful, that things like playing a non-Crazy Gnarls Barkley track, or devoting 2 Sunday evening hours to local music is seen as revolutionary and messianical. So let's hold off on the "San Diego radio is better than New York, LA, Austin, etc" claims until we've researched both of our fair cities options, OK?

This is set up the same as last weeks diary. It is unedited and unrevised. I wrote it today from 6 to 7 PM, one week exactly after the 949 diary. It is opinionated, rambling, at times incoherent, but it is what went through my mind while tuning in for the first time in a long time, to a solid hour of 91x. I don't know anything about 91X, I don't know how it is reportedly "different" than 949. I heard that it bought itself out from Clear Channel, but have remained unimpressed by token displays of coolness such as that. We will see if sitting down with them for an hour can change that opinion. Please enjoy:

6:00 We join 91X already in progress. Alice In Chains "Would" is about halfway through. For any of the graying baby boomers that shook their heads and said "this stuff will never last" about the 90s MTV bands, San Diego radio in the year 2006 would be the perfect rebuttal. This could be another reason why the Canes tribute bands are such a booming business.

6:02 A new Red Hot Chili Peppers song begins. Regarding "Dani California," do people really have that big an attachment to California? The state is enormous. You could get 100 people in a room and all of them would value completely different things about the state of California. A love song about the state seems to be about as deep as a love song about food. Seriously, what the hell.

6:04 Still going on. This song doesn't do much for me, it has a catchy grunting chorus, that I bet will be fairly popular. It sounds a bit like "Whoomp, There it Is" but I guess that song was pretty popular as well.

6:05 A Frusciante guitar solo that sounds "Awesomely bad." That was how Rolling Stone described the guitar solo in Weezer’s "Beverly Hills." I think a better way to describe it would be "Bad." Ironic bad is a fine line to walk, one that is rarely done well. The DJ comes on now to talk about how someone probably has hearing loss. Probably from hearing the kick ass Rage Against the Machine "Guerilla Radio" playing in the background. Amazing, another song from the late 90s/turn of the century. It could be a lot worse, but it is kind of bizarre...At the beginning of this song, there is like 20 seconds of instrumentation before the lyrics start. The DJ did the patented, "talk up until the lyrics begin" thing that radio stations are known to do. This is one of 94.9s ten commandments, that they will never talk over the beginning or ends of songs. To me, this isn't a big deal. It doesn't ruin too much for me. Two minutes into the song, I've already forgotten that it happened. I can't think of too many situations where I would be furious to hear the DJ talking over intros. Maybe if they interrupted each song of the Abbey Road closing suite to prattle on about the x-fest or whatever, but yammering over a Rage song doesn't really seem to diminish the artistic merit of it

6:09 New...91X...Music...(echoes) A new song that I don't recognize plays. The way I would describe this song is "Perfect for MTV." I haven't seen music on MTV in god knows how long, but this sounds about as archetypical an MTV song as possible. IE, it blows, and it definitely won't be getting radio play ten years from now the way the bands above it have. This is the song where on the chorus the guy makes his voice go really high, I can't even make out what he’s saying. I would put odds at about 50/50 that this band is playing at Street Scene, let's google some lyrics...I thought they said "these are the lives you have to lead" but that turns up nothing

6:12 91X World tour, listen every hour to pick up Pearl Jam tickets. Make your reservation with us today. Go straight into a commercial for the world cup.

6:13 The top three reasons this woman is getting a new washing machine from the home depot. They are all good reasons, but I feel lucky just to have a washing machine and am not considering getting a new one. You'd figure that many listeners are in a similar position to me. Next is a Scion commercial. I test drove a Scion the other day. I like the box ones. I used to hate them, but like them now. Boy these thoughts are vacuous and annoying. I am writing my thoughts about commercials now. How bizarre.

6:14 Carpet barn commercial. You know what is weird? The next time you hear a really shitty jingle for a shitty local company, just remember that there are real people that recorded the vocals and music for that jingle. You always just imagine these things coming pre-formed, like the prerecorded tracks on a Casio keyboard, but no, they take a lot of time and effort by real people.

6:15 I heard the same Verizon VCast, Yellowcard, Subways, Depeche Mode commercial on 949. It's good to see that the stations don't have the same petty policy where they ban a commercial that the other station plays as they do with artists such as the Flaming Lips.

6:17 Captain Morgan original spiced rum commercial. I didn't know you could advertise hard booze on the radio. The ad prominently states that it is copyrighted. What the hell is that all about? Who is infringing on this Captain Morgan commercial's copyright?

6:18 Bob Baker Ford ad. They are gonna pay for peoples fuel for the rest of the year. Screw thoses guys. I think that Ford and GM's struggles are hilarious. When we drove the Scion, the dealer said that the Ford guys don't like the Toyota guys. He said that Toyotas are more reliable, cost less, get better mileage, and all the Ford guys have going for them is that they are "Made in America." Screw Ford.

6:19 I think we're coming back. I heard the first "Independent Radio the way it should be claim." i never paid attention to 91X going "independent' from Clear Channel, but think it is pretty hilarious. It's like if all of a sudden Scott Stapp was like, "Hey, I don't suck anymore! You know, for the past decade, I've totally blown, and I admit that. I mean how lame was I! But now things are completely different!"

6:20 I don't recognize this song either. "It takes my pain away." Google informs me that this is Jimmy Eat World, and the song is "Pain." It is terrible.

6:22 The DJ is talking over the beginning of Steady As She Goes. He's talking about the Pearl Jam Contest. I don't really know how to enter it, but would like to try. This is the first repeated song from the 949 diary. It doesn't sound any better on 91X. You'd figure that with all the Independence floating around there, there might be a radical thinker trying to play another song off the Raconteurs album. But maybe, just maybe, they are SO independent, that they are trying to be "Awesomely Bad" and playing the old, old single off this album is just part of that image. That truly would be the ultimate irony: a radical independent station that was so independent and gave so little of a fuck that they played as many commercials and played out songs as your typical Clear Channel station would. I think I'd respect that station from afar, while avoiding listening to it like the bubonic plague.

6:25 Vintage 91X music. Ho-Lee Shit....They are playing "Zombie" by The Cranberries. My jaw seriously just dropped. Holy shit. What the hell are the Cranberries up to these days? Is this being played ironically? It has to be, it just has to be. This could have slayed me had a friend put it on at the right point in time, but right now, I'm just amazed. Think about this. Someone out there, in charge of playing records that thousands of people are going to hear, just put on "Zombie" by The Cranberries, and as far as you and I know, there will be no repercussions as far as him being fired is concerned.

6:28 The fact that they play this song leads you to believe that their playlists aren't entirely corporately derived. I mean, nobody could still have a financial interest in getting this song played. They aren't promoting an upcoming concert. So for the LOVE of GOD, if you're get one song per hour that you get to pick, why not play something fantastic? Reach into the bag for one of your personal favorites, something that people may not have heard but will be eager to learn about. "The King of Carrot Flowers", "How A Resurrection Really Feels", or "A Minha Menina"? Why Zombie? Why!? Why!?

6:30 Zombie straight into Radiohead "Creep." This lineup so far this hour definitely could have played like the '95 Lollapalooza. I get to go see Radiohead on Monday, and hope that they don't play this song. I think it blows. That's another thing: These DJs undoubtedly love Radiohead. Everyone loves Radiohead, they are one of the least accesible bands out there that are inexplicably universally beloved. So playing one of Radiohead's deeper cuts, hell, even something like "Might Be Wrong" isn't going to have anyone changing the station. In fact, it would discourage way more people from switching the station than "Creep" for the 8,000th time would. I can't ever understand why artists who are as popular as Radiohead, who have reached the heights of fame and success despite a limited catalogue of radio played songs, aren't given more of a chance by the radio. The fans are there. The critical acclaim is there. The DJs are obviously fans. But we get Creep, Karma Police, High and Dry...Maybe Fake Plastic Trees...But that's about it...

6:34 Question of the day...when can I get pearl jam tickets. Having sex in the lavatory is not allowed, in fact its damn near impossible. A clever promo. Caller number nine wins Pearl Jam tickets, so i give it a shot, because I'm not made of stone (and it would be awesome to win the tickets while writing this diary.) Unfortunately, it's constantly busy. I've had alright luck with radio contests in my life. I won tix to a GNR show (that ended up getting cancelled) and got tickets to an advance screening of Revenge of the Sith last summer. So those contests do work. But it looks like today just isn't my day.

6:38 A terrible song is playing, distortion and shrieking. Standing on the rooftop ready to fall. Evidently it was Rise Against. They may be at the Street Scene...The guy who wins the Pearl Jam tickts is named David. He says he's on the way to school, but he sounds like he's on his way to the set of the Dukes of Hazzard. He loves 91X, thank you. The DJ has the unenviable task of picking a winner, so he's gonna let David decide how the drawing is done. David is all about equality. "Cut them papers up, throw em in a hat. It's all about equality baby, you know?" He sounds enthusiastic. Good for him.

6:41 The DJ will announce the winner of the San Fran trip before 8 tonight. Until then, we'll do some commercials. This weekend, save up to 75% off at Guitar Center. Deals from the Warped Dimension. That doesn't even make sense. They've invented the fourth dimension, then punned on that title to create something that doubly doesn't exist. The prospect of 6 more minutes of commercials makes me wish I could disappear to the warped dimension though...

6:42 VW ad with German stereotype talking. I don't like German accents, I'll be honest.

6:43 Two buddies discuss the master plan of summer fun. They're not gonna waste a minute of summer. They are excited about the master plan, and headed to Sports chalet to stock up on everything. Imagining the guys recording this dialogue is sobering as well. I wonder if the director gives instructions like "Sound like a bigger tool."

6:44 Hyundai Sonata ad. Screw this. I don't know anything about Hyundais, but I bet their company is doing better than Ford. Screw Ford.

6:45 Wow...the world famous Deja Vu is looking for girls..."Dance your way to financial freedom" is an actual quote from this ad. All dances are only 10 dollars this friday. This is impressive. You never see strip club ads on TV.

6:46 Hilarys 91 second music news. News about how the guy from Faith No More was on the 91X music show. They are playing a Next Big Thing concert #6 in July at Canes for 91 cents. I think that it can safely be said that no Next Big Thing has ever played at Canes. They guarantee nothing but passionate fans of his new band "Peeping Tom" will come out for the show. Wow....Mike thanks the guys for being involved with his band, says it "takes some cojones." The DJ responds "It comes with the independence man." !!!!! A bold claim. I guess Zombie comes with the independence as well.

6:48 Wolfmother and The Shins have been added to Street Scene. That is certainly news. Good for those guys. Wolfmother I think i like. If you wait 30 years to rip off a bands sound verbatim, especially a band like Black Sabbath who most people only know a few songs by, then you're going to make some fans. I wish I had thought to do it first.

6:49 Cake "Let Me Go." Cake seems like one of those bands where soon we'll hear that like the guitarist from Cake used his modest earnings from a lifetime in the band and invested them in the IPO of Google or something and can now buy and sell us all. Hopefully he writes a song about how that feels.

6:52 "Fans of news will be a little perplexed by this new music from Knights of Psydonia" The DJ encourages us to go see this band live, but he times his speech wrong and the song sort of cuts him off. Kind of funny, but it still doesn't irritate me. In fact, I think its kind of funny each time, because 949 acts like it is an issue that music fans are just frothing at the mouth about, as if not being able to hear the first 10 seconds of a song by the Knights of Psydonia uninterrupted are a catastrophic crime of taste.

6:54 I think this song is an instrumental. Nope. There's some vocals. I was going to list instrumentals that I like. I'll do it anyways. "Bron-Yr-Aur", "Kid A", "All Around The World (Reprise)", "Trombone Dixie".

6:56 Song is still going on. It blows.

6:58 A mechanical pre-recorded voice just told me that that I just heard a song by Muse, off their new album. Don't know what that was all about. I think I'll go on record as hating both bands, just to be safe.

6:59 It looks like we'll end with Spacehog "In The meantime." Probably not too many people clamoring to hear this song lately, but whatever. If you're gonna play the hitz from the 90s, its better to play this song than "Zombie".

Thus ends another diary. Not much to say in terms of wrapping it up. There seemed to be a bit more commercials on 91X, but in reality, both stations took 2 commercial breaks during the hour, both lasted around five minutes. I don't really know what the selling points each station has to differentiate themselves from the other one. Both stations played Rage Against The Machine. We heard tons of bands from the 90s that are defunct and/or jokes by now. 91X played a few newer bands that blew, 949 played a few older songs that blew.

91X's "Independent" claims still strike me as awesome. I don't really know how they impact what is played on the station. It's too bad we can't hear a side by side comparison of 91X during its Clear Channel days. The bottom line is that for a station that trumps its independence, the product sounds very similar to what you get a few notches up the dial. I don't even know what more to say. If you're independent, we can infer that you play by your own rules, and don't have a bunch of "Suits" calling the shots. The DJs can play what they want to play....

And yet today I heard Zombie when I could have been listening to the King of Carrot Flowers. Until someone explains how this paradox of the universe happened to me, I'm goign to be walking around in a silent, Chief Broom type daze.

Shins and Wolfmother added to Street Scene


The Shins are playing Street Scene on Friday, Wolfmother on Saturday. Two quality bands. Well done. The Shins seem like they could seriously suffer some Coldplay, too big for their britches, backlash on their third album. Let's hope they avoid it.

June 21, 2006

The Ricky Gervais Show


The last thing I can remember ignoring, when it was as guarantee a home run for me as conceivably possible, was The Life Aquatic. Rushmore and The Royal Tenenbaums are two movies that I absolutely love, (Bottle Rocket, ehhhh), but for some reason I didn't make it to the theater to see The Life Aquatic and ended up watching it at home months after it came out. In the exact same style is The Ricky Gervais show, his downloadable podcast radio show. I remember hearing that this came out like 8 months ago, and was even given the emphatic "It's hilarious" guarantee by a friend about two months ago. Somehow, it completely did not manifest itself as a priority until yesterday, when I read an interview with Ricky Gervais in Stop Smiling magazine and decided to check the podcast out.

Holy god. I spent all day yesterday looking around, hoping that if anyone at work happened to see one of the many uncontrollable laughing outbursts I was having, that they would notice the headphones and infer that I was listening to something funny. The low point came during an episode of Monkey News (more on that below) towards the end of the day, when I heard something funny while sipping water, attempted to suppress a spit take, and ended up almost choking as the water went down the wrong pipe. The Ricky Gervais show: funny enough to almost kill you, or at least get you fired for spitting water all over expensive equipment.

Anyone who has seen The Office, and Extras needs no introduction to Ricky Gervais, or co-host Steven Merchant for that matter, the man who played the agent on Extras and Gareth's pal The Oggmonster on The Office. But the central character of these podcasts is the third man, Karl Pilkington, who has already amassed a vast internet following, as well as rumors about whether or not he is real. The show centers around Gervais and Merchant asking him questions, or prompting him to tell a story, which they then dissect and dispute, even as he is still telling the story. They analyze how Karl's mind works, and the effect is to reinforce why the absurd nonsense, coming out of the calmest, most qualude-ed up sounding guy you can imagine, is so absurd. They make him answer reader emails, read from his diary, (Sample entry: "Had a drink in bar...Everyone sat and watched one of the local cats lick its bollox.") and of course, Monkey News, where Karl delivers a ridiculous lengthy story about monkeys in the news that Gervais scoffs at.


Karl Pilkington

At least two dozen times per episode, Gervais lets loose with the high pitched girlish laugh that you heard on the office when David Brent was seen helping to pull off an obese co-workers pants in front of the camera. The laugh is so contagious that I nearly caused us to drive off the road on the way home today, even though I wasn't even driving, and the joke that Ricky Gervais was laughing at was because Karl Pilkington got a piece of mail addressed to "Mr. Dilkington." Even as Ricky Gervais was laughing and shrieking, "I don't know why that's so funny!" I found myself laughing so hard that I almost started hitting myself over the head with a mallet, like the wolf in those old Tex Avery Cartoons.

So there are 18 half hour podcasts so far...That's 9 hours of hilarity. It's a guarantee people, a can't miss. You will love it. I put up one of the podcasts from the first series for download, it features one of the better monkey news segments, and I don't remember what else. The first 12 episodes cost $4.95 and the last 6 cost 6$.95, all at Audible.com. Don't sleep on it like I did. They are the funniest things you will hear all year. In a world of tepid comedic entertainment, where romantic comedies like "Wedding Crashers" can pass for edgy, offensive comedy, Ricky Gervais' humor makes me laugh the way I did when I saw Eddie Murphy "Delerious" for the first time. This is the only time I'll implore you to not behave like me - download these podcasts without further delay.

Download an episode of The RIcky Gervais Show

June 20, 2006

CDebate: Bill - Birthday Suit

Today marks the debut of a soon to be regular feature here on San Diego Serenade: The CDebate. One of the nice things about having a music blog is that occasionally things are made easy for you when an artist contacts you, rather than you having to discover them yourself. It gets difficult to give CDs the attention they potentially deserve, however, and part of the reason for this is, for me at least, that you'd like to present the music and artist in a unique and entertaining style. Hence, I have concocted the CDebate. Though it may be awkward to read and pronounce, I have faith that it will prove an interesting and entertaining way to review CDs.

The format will be that of a basic high school debate team. Or what I imagine one is like, if I had participated in one, if they still exist. There will be a "Pro" side and a "Con" side, and each side will be allowed a main argument, and then a rebuttal/closing statement. This will ensure that the coverage not be one sided, as any fawning will be tempered by a thorough pointing out of a records flaws, and any shitting-on of a CD will also accentuate the positive that may have been overlooked.

Of course, I have encouraged the participants to not refrain from personal attacks, slippery slope arguments, straw men, and hyperbole in making their arguments. MP3s can be used as evidence. We want this to be fun. To make it even more fun, each CDebate will feature one notable music blogger and one of my friends. This mix of people who write about music in their spare time and friends of mine whose musical backgrounds vary greatly will ensure a spirited CDebate. In all cases, I will deem a winner, based on their arguments and my opinion of the CD, and award the CD the coveted status of "MustCD" or the shameful scarlet letter of "CDeezNutz" status.

Without further ado, I'd like to introduce the participants in this weeks CDebate. Taking the "Pro" side is Greg, who writes the music blog Captain's Dead. Greg and I share a fondness for Tom Waits, and he was one of the first people to link to my blog when I started it, so his blog has long been one of my checkpoints for posted tunes and unique viewpoints. Taking the "Con" side will be my friend Andrew Kilpatrick, who I've known since third grade. Among other projects we've worked on together throughout the years, Andrew is the singer in my band Re-Ree and has written well over 60 songs, and those are just the ones that I know about.


The CD in question will be the latest album "Birthday Suit" by San Diego's own "Bill." I was sent their album about a month ago, and figured that a local band would be a good way to start off this feature.

We begin with the Pro section, by Greg from Captain's Dead

This brief review of San Diego rock n sway ensemble Bill's Birthday Suit will be written not through my voice, but through the voice of a 19 year old female named Mandy.

Ok, people listen up! Bill's new record Birthday Suit is everything I have been dreaming a record would be since I first heard Jason Mraz's "Remedy" at the Sam Goody. I never bought that record, just the cd single, but I know that Birthday Suit is much, much better.

The opening track "It Wont Hurt" has some great harmonies and finger snapping that totally reminds me of these songs that they play on the local oldies station, only bill does it in a much cooler way. I remember my dad saying that "It Wont Hurt" reminded him of do-top or do-bop, something like that. My brother, Hunter, used to totally be into Dave Matthews Band and they remind me a lot bill. It leads me to believe that Bill must have been a big influence on Dave Matthews, because bill's song "Sitting Duck" sounds an awful like something off of Under the Table and Dreaming. I guess imitation is indeed the highest form of flattery. I am on to you now, Mr Matthews! I love, love, love the song "Sound Scientist!" They way the lead singer can sing fast and flow just like a rapper is awesome. That's as far I have made it listening to Birthday Suit but I know the rest is going to be just as awesome.

So, in closing, if you are looking for an awesome record to cruise around town in your VW or just chill at the beach, then Birthday Suit is so for you. My friend Hannah, who doesn't like anything, said she is going to buy this record tomorrow! Its that great!

A strong opening salvo for the "Pro" faction. Let's see how Andrew can shape up in the "Con"

Don't Pay This "BILL"
A standard three-paragraph essay using a pun in the title

Bill Stevenson, Bill Haley, Bill...

The list of great musicians named bill isn't long, and isn't going to get any longer with this collection of mediocre songs from a band that calls itself "Bill." I don't know anything about them, but I am going to make some assumptions here:

Their lead singer, bill, wears a knit beanie indoors. He used to be a Christian in high school, but lapsed in college, possibly under the corrupting influence of the acapella group (all-male). He is far and away the visionary behind the band. He has had the same girlfriend for a long time. He has a "good" voice. This voice is usually boring, except when it's annoying. Like this one song I got stuck in my head, where he sing-raps like Jason Mraz, which I guess that's the kind of sound he's going for. In that case, I hope he's as devastatingly handsome as Gavin Degraw, because he is less talented.

I imagine that this band would "prefer not to label themselves," but if pressed (like for a really big interview where they were on their best behavior) they would describe it as "jammy-funk-rock-reggae-soul-jazz with a slice o' pop" or something that they actually spent a lot of time coming up with. But let me tell you, this shit is nothing but pop. You can tell because the songs are annoying and get stuck in your head, like that Gavin Degraw song I used to see on MTV at 5 am that goes "I don't need to be anything other than what I been lately." Except none of the songs on here are quite that exhilaratingly awful. I wish some of them were, because I kind of enjoyed that gavin degraw song, like you'd enjoy controlling the pain of a toothache with your own tongue. Nothing on this "bill" record rises to those heights.

And here's one thing I couldn't make up:

"Thoughts fall like waterfalls on an empty page...


Oh yeah? Waterfalls fall like rain? So essentially, what you're saying here is that "waterfalls fall...like rain?" Take a poetry class dude. Your lyrics suck.

Andrew has delivered some hard hitting arguments for the "Con" side. Let's see how Greg responds with his closing statement:

Listen up, Peter! You forgot Billy Ocean, duh! My dad has the cassette single of Get Outta My Dreams and Into My Car, and i love it, love it, love it! Back to bill, the band. You can use whatever cuss words you want to describe bill, but bill is here to stay! They are so freakin cute, and as a chrisitan i understand what he has gone through. My boyfriend, Brad, totally wants to do it, but you know what i say, "my body is a temple, that you shall not enter!" bill rocks, and you dont, peter!

Seems like Andrew has stepped on the toes, if assumed fictional personas can have toes, of that reviewer. Andrew no doubt has some strong closing words prepared, let's see how he finishes:

Leadbelly said something about songwriting, something like "here's how you write a song. First you get your words, then you get your music, then you put 'em together. Now you got yourself a song." That's what Bill did. Kudos to them for writing songs. While the nay-sayers just sit there saying "nay", the members of Bill actually wrote songs instead of just criticizing them. Or at least that's what I think they would say if they read this review.

Seeing as how both sides have wrapped up their arguments, it is time for me to weigh them and deliver a verdict:

Greg delivers his "Pro" argument in the guise of a teenage girl, and in doing so, speaks volumes to the intended audience of this music. The production is good, the instrumentation and song styles are varied, and the lyrical subject matter and delivery are just the kinds of things that young ladies conceivably swoon for. Andrew, on the other hand, points out the faults of the record from the point of view of a discerning music listener, one with tastes conditioned towards the exact opposite of what this record has to offer.

Which brings us to the question: Did these fellas really look at my website before sending me the CD? You know, do any research, see if it was up my alley and might be worth my time. Did they note the lack of articles devoted to Jason Mraz or Dave Matthews on here? The lack of feel good, summer BBQ material? Nothing on this blog would even lead you to believe than I am a kind-hearted person, let alone someone who listens to the kind of music that would probably have been too pussy to even like back in my ninth grade DMB-fan era! Did they just see that I was a guy that talked about music in San Diego and figure that it couldn't hurt to just send off a copy of the CD with hopes that something good might come of it? To me, the latter plan of action sounds a good deal like spam. Currently in my spam email folder, there is an unsolicited email with the subject line "Would you like your penis to be better looking than your face?" I would have to say that, in all honesty, that extremely odd spam proposition is far more intriguing to me than another email from Bill regarding their latest CD would be.

And it is for that reason, the sheer audacity of sending someone a CD that even the most BASIC research would indicate they have absolutely no interest in listening to, that I am proud to award "Birthday Suit" by Bill the first ever San Diego Serenade CDebate "CDeezNutz" Award:


That was pretty fun. We'll hopefully be back with a new CDebate next week, pitting a blogger against another die hard music fan who probably likes music just as much, but is just too lazy to do anything about it. Until then, check out this weeks band, Bill at: http://www.myspace.com/bill

If you have a CD that you'd like featured on a future San Diego Serenade CDebate, or are a blogger that would like to participate, please contact me using the contact information at the top of the page.

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